Exhibitions Now on View
Special Exhibitions:
$10 admission for special exhibitions. Woodmere members receive two free tickets per exhibition.
Permanent Collection Exhibitions:
Free and open to the public.
Millard Children's Exhibitions:
Free and open to the public.

Sam Maitin (1928-2004)
“Whatever Magic . . . Ciardi,” 1970
serigraph, 26 x 20 in.
Gift of Lilyan Maitin and the Maitin Family in
honor of Michael W. Schantz, 2009
Sam Maitin: Prints and Places
August 21-October 17
Reception: Sunday, October 3, 2-5pm
Family Event: Whirl! Pinwheel Project, Sunday, October 3, 2-3pm
With an astonishing facility for color and form, textures and text, and with
a wildly prolific output, Sam Maitin became one of the most beloved and
vital artists in Philadelphia. Known for his site-specific artworks, his amazing
ability with collage, and his brilliant poster design, this exhibition features
30 prints newly added to the Woodmere Permanent Collection including
Curwen Series prints, SANE Peace Awards, as well as other works rarely
seen. Also, studies surrounding the creation of his site-specific projects
(works of art in themselves) will reveal the joyful collision of play and
intelligence that Sam placed in all he did.
Fred Wagner: American Painter - A Family Perspective
August 21-October 17
Reception: Sunday, October 3, 2-5pm
Gallery Stroll and Book-signing: Sunday, October 3, 3-4pm with Susan
Brendlinger Smith and Cyndy Drue authors of Fred Wagner – An American
Painter, and grandnieces of the artist. Bring the kids!
Born at the time of the Civil War, Wagner was a student of and assistant
to Thomas Eakins and Thomas Anshutz at the cradle of American Art in
Philadelphia. He was a painter of the West, newspaper illustrator, and a
witness to the birth of Modernism at the 1913 Armory Show. Wagner was a
decades-long master of the brooding American industrial cityscapes during
the 20’s and 30’s, a plein-air master and intimate portraitist, husband,
teacher, friend, and fine artist. And here as a favorite uncle, we see in this
exhibit his gentle, caring views of his own American families at the beaches
of the New Jersey shore, scenes of nieces and nephews dancing in lilting
Pennsylvania farmscapes and playing in the uniquely iconic suburban
American backyard.
« top
Surviving Ourselves: 150 Years of Friendship in the Arts
August 21-October 17
Reception: Sunday, October 3, 2-5pm
A sample of present-day masters of the Sketch Club represented in
Woodmere’s Permanent Collection: Moe Brooker, William Campbell,
Richard Chew, Reinhold Edelschein, Frances Galante, Jack Gerber, Al Gury,
Alex Kanevsky, Harold Kimmelman,
Alan Klawans, Donald Meyer, Bill
Scott, Stuart Shils, Joe Sweeney,
and James Toogood are reviewed,
along with a comprehensive
account of the ‘black-tie’ highs and ‘Bohemian’ lows of Philadelphia’s
own “oldest, continuing, all-volunteer
contemporary artists’ club.”

Bill Scott, A City Square, 2007,
oil on canvas, 32 x 42 inches, lent by the artist
courtesy of Hollis Taggart Galleries, New York

Stuart Shils, House on Pastorious Street
Germantown, 2010
archival inkjet print, 14 x 21 in.
courtesy of the artist
« top
John Folinsbee and American Modernism, 1920-1940
November 6 - March 6, 2011
Reception: Sunday, November 7, 3-5pm
Lecture: Widening an Old Trail: John Folinsbee and the New Hope Modernists by exhibition curator Kirsten M. Jensen, Ph.D., Sunday, December 5, 2pm
Curated by Kirsten Jensen, Ph. D., Director, John F. Folinsbee Catalogue
Raisonné
During the years 1920-1940, landscape painter John Folinsbee began to
move away from Impressionism in favor of a style more firmly grounded in
structure and a greater expression of mood. Structure is a key characteristic
of modernism, and paintings made by Folinsbee during this period reveal
him to be much more engaged in the development of modern art in
America than has been previously thought. Instead of painting traditional
pastoral views of the Delaware River and its environs, Folinsbee was drawn
to the mills, factories, and steel-truss bridges that lined the river’s banks or
spanned its waters. And while a handful of the paintings have been seen
before, the exhibition features primarily works that have been seen by the
public rarely, if ever, since Folinsbee completed them.
« top
Collecting Ourselves: Then, Now and Next
November 6- March 6, 2011
Reception: Sunday, November 7, 3-5pm
Family Event: It’s All About Motion, Sunday, November 7, 2-3pm
This is a group of three expositions separated by time period but joined by
insight. Through three periods, “Then” (19th century from 1870 through
1893), “Now” (20th century from 1900 to 1935) and “Next” (21st century
up to the present) our expositions thread the insight that it is the single
collector’s personality and interest, joined with that of contemporary artists
and their work, that can have immense impact on international art far into
their future and beyond.
In “Then,” the 19th-century Philadelphian, Fairman Rogers, with
the painter Thomas Eakins and photographer Eadweard Muybridge,
revolutionized the treatment of the human figure in art with their
obsession with the human body suspended in motion, time and space.
In “Now”, a 20th-century Philadelphian art-collecting couple, Sam and
Vera White, continues re-imagining involvement with the figure with
artists (influenced by Rogers/Eakins/Muybridge) Auguste Rodin, Charles
Demuth, Georgia O’Keeffe, and Marcel Duchamp. Duchamp and his
circle of influence included the Whites and fellow-collectors and it was
his treatment of the figure that has carried us, in its most profound
issues, to the international arts of our present, 21st -century patronage
of installation, video, digital cinema and web art, the subject of newly
commissioned work by Woodmere for our third exposition, “Next.”
« top
Permanent Collection exhibitions
Kindred Spirits: Woodmere and the Philadelphia Sketch Club
January 23-January 2, 2011
Reception: Saturday, April 3, 5-7pm
Woodmere Art Museum and the Philadelphia Sketch Club have always had an intimate relationship with local artists. As a tribute to the Philadelphia Sketch Club’s 150th anniversary and to the positive difference it has made to the cultural life of Philadelphia, Woodmere has reached into its treasure trove of art and selected a rich sampling of works produced by members of the Sketch Club. In many cases, the featured artists played important roles in the life of both institutions.
« top

Frederic Edwin Church
Sunset in the Berkshire Hills
1857, oil on canvas
collection of Woodmere Art Museum
Founder's gallery
A permanent installation of Charles Knox Smith’s collection of decorative
arts, furniture, and paintings. Artworks include: The Spirit of Peace by
Jasper Cropsey and Sunset in the Berkshire Hills by Frederic Edwin Church.
« top
Helen Millard Children’s Gallery

Expeditionary Art
Russell Byers Charter School
September 5-October 17
Reception: Sunday, October 3, 2-4pm
Russell Byers Charter School is the only ELOB ( Expeditionary Learning
Outward Bound) School in Pennsylvania. While the school is currently
celebrating its tenth anniversary, this exhibition highlights how art is a
crucial part of the integrated curriculum as well as a core subject that
incorporates art history, appreciation, and production.
« top
Flight: Kites Community Project
September 19– November 14
Reception: Sunday, September 19, 2-4pm
On Woodmere’s expanse of lawn there will be dozens of high flying kites
created by the region’s school children and inspired by the artist Sam
Maitin’s colorful and joyful imagery.
« top
Kids Care 17 – Flying Colors
November 7-December 19
Reception: Sunday, November 14, 2-4pm; ceremony at 2pm
Kids Care Wrap: Monday, December 20, 9am-2pm
Beautiful artworks made by hundreds of children from around the
Philadelphia region are on exhibit in this collaborative project between
Woodmere Art Museum, Philadelphia Senior Center, and WXPN’s Kids
Corner. All artworks are made as gifts for homebound seniors.
« top |