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Planting in Place, Time, and Memory

01/24/2026
05/24/2026

About the Exhibition

Experience the profound and evocative work of Syd Carpenter in Planting in Place, Time, and Memory, a comprehensive retrospective celebrating over 50 years of her influential career. This landmark exhibition will showcase the full breadth of Carpenter’s artistic journey, highlighting her innovative explorations at the intersection of African American history, land and agriculture, the human body, and the elemental materiality of clay.
 
Syd Carpenter (BFA/MFA) stands as a seminal figure in the ceramic arts, renowned for the conceptual depth and technical mastery that characterize her work. With a career that spans more than five decades, Carpenter's practice has continually redefined the boundaries of ceramics, positioning her as a critical voice in American art. This exhibition not only traces the evolution of her work but also situates her within the broader context of contemporary art, challenging traditional perceptions of ceramics as mere craft and affirming its status as a vital medium for artistic expression.
 
Planting in Place, Time, and Memory will be accompanied by a catalogue that further contextualizes Carpenter’s contributions, offering insight into her influence and significance in the art world. This retrospective is both a celebration of her pioneering spirit and a testament to the growing recognition of ceramics as a serious and impactful art form.
 
Planting in Place, Time, and Memory will be held in conjunction with two other major exhibitions on Syd Carpenter, including Re-Union: Syd Carpenter, Martha Jackson Jarvis, Judy Moonelis, Sana Musasama, and Winnie Owens Hart, January 14 - March 29, 2026, at the Frances M. Maguire Museum at St. Joseph's University, and an exhibition of contemporary works by Carpenter at the Berman Museum of Art at Ursinus College. Stay tuned for additional information about joint programming and a schedule of events at each institution. 
 

Exhibition Related Events 

The Art of Syd Carpenter
Location: Charles Knox Smith Hall, 9201 Germantown Avenue 
with Syd Carpenter and art historians, Leslie King-Hammond and Lowery Stoke Sims
Saturday, January 31 | 2 pm
$15 (FREE Woodmere Members)
 
Join art historians Lowery Stokes Sims and Leslie King Hammond for a conversation with artist Syd Carpenter about her retrospective, Place, Time, and Memory. Together they will delve into Carpenter’s innovative ceramic practice, examining how her work engages African American history, land and agriculture, the human body, and the elemental materiality of clay. This discussion offers an expansive look at five decades of Carpenter’s influential career, contextualizing her iconography and symbolism within the framework of African American art.
 
Lowery Stokes Sims, is an art historian, curator and writer on modern and contemporary art and artists. She served on the education and curatorial staff of The Metropolitan Museum of Art from 1972-1999 and then as executive director, president and adjunct curator at The Studio Museum in Harlem from 2000-2007. Since the 1970s she has fostered diversification and opportunity for artists having been a witness to and participant in the black arts movement, the feminist art movement and the politics of postmodernism and beyond.
 
Leslie King-Hammond is an artist, curator, and graduate dean emeritus and founding director of the Center for Race and Culture at the Maryland Institute College of Art. In 2006 King-Hammond was appointed chairperson of the collections and exhibits committee at the Reginald F. Lewis Museum of Maryland African American History & Culture and in 2007 she became the chairperson of the board of the Lewis Museum. She also sits on the board of the Creative Alliance for the Artists, Baltimore, MD.
 
 
The Artistic Journey of Syd Carpenter 
Location: Charles Knox Smith Hall, 9201 Germantown Avenue 
with Syd Carpenter and William R. Valerio, Ph.D., The Patricia Van Burgh Allison Director and CEO, Woodmere
Saturday, March 21 | 2 pm
$15 (FREE Woodmere Meembers)
 
Woodmere’s director, William Valerio, and artist, Syd Carpenter will discuss the creative journey behind her retrospective exhibition, offering insight into the stories that shape her work and the ways her artistic expression has evolved over time. The conversation will explore the distinct phases of her practice, the development of ideas, materials, and forms, and the intertwined roles of artist and gardener that inform her vision.
 
 
Family Day with The Clay Studio, Claymobile
In conjunction with Planting in Place, Time, and Memory: The Art of Syd Carpenter
Location: Studio Building, 9201 Germantown Avenue 
Saturday, April 18 | 11 am-12:30 pm
All ages
FREE, Pre-registration required, seating limited
 
CLAYMOBILE, a program of The Clay Studio, is a “pop-up” ceramics studio that provides fun and engaging experiences to nurture children's imagination with the tactile medium of clay.  Teaching artists bring all the supplies needed for children to create and bring home their own clay creations.
 
Participants will be able to visit the exhibition Planting in Place, Time, and Memory to enjoy the art of Syd Carpenter.
 
 
Stories in Art: The Shared Path of Syd Carpenter and Sana Musasama
Location: Charles Knox Smith Hall, 9201 Germantown Avenue 
With artists, Syd Carpenter and Sana Musasama
Saturday, April 25 | 2 pm
$15 (FREE Woodmere Members)
 
Artists Syd Carpenter and Sana Musasama will reflect on their lives as artists and teachers, exploring the power of creativity and imagination to build meaningful connections. In conversation with one another, they will discuss their artistic practices, shared sources of inspiration, the challenges they have navigated as ceramic artists, and the enduring friendship that has supported and enriched their work over the years.
 
Sana Musasama’s ceramic and mixed-media works are influenced by her global travels and lifelong engagement with women’s studies. Her practice draws on a rich array of indigenous artistic traditions, incorporating both traditional and innovative approaches to clay and other materials. Musasama’s work is driven by concerns for women’s safety, particularly the rituals involved in rites of passage and female chastity. She is the coordinator of the Apron Project, a sustainable entrepreneurial project for girls and young women reintegrated back into society after being forced into sex trafficking and received the National Council on Education for the Ceramic Arts Outstanding Achievement Award for her teaching and humanitarian work with victims of sex trafficking in Cambodia and the United States. Her work is in the collections of the Studio Museum in Harlem, the Cooper Hewitt Smithsonian Design Museum, Schomburg Center for Research in Black Culture (NYC), the Mint Collection (Charlotte, NC), and in numerous private collections.
 
Syd Carpenter is known for her ceramic and sculpture work that explores identity, memory, and the stewardship of land inspired by African American gardens and farms. Working primarily in clay but often incorporating materials such as steel, wood, and found objects, she creates sculptural portraits that honor the histories of Black American land caretakers and the communities shaped by their labor. Carpenter is Professor Emerita at Swarthmore College, where she taught ceramics and sculpture for 31 years. Her work is found in the collections of renowned institutions such as the Metropolitan Museum of Art,  Renwick Gallery of the Smithsonian Institute, Montreal Museum of Art, the Swedish National Museum, Philadelphia Museum of Art, Pennsylvania Academy of Fine Arts, Tang Museum of Skidmore College, RISD Museum of Art, Fuller Craft Museum, James Michener Museum, the Woodmere, and the African American Museum of Philadelphia.